These Locks of Love were fixed on the railing of one of the many bridges over the hundreds of canals in Venice near the Rialto Bridge. These padlocks are fixed by couples in love, on to a fence or a pole or metallic chain/string at a usually romantic and popular public place, to symbolize their eternal love. A couple would hang a padlock after inscribing their name or initials on it and throw the key away so that their love is locked forever. Some couple use two inter-twined locks, each lock bearing their name/initials. Besides lovers, often family members and close friends also put such locks at these places, to lock their relationship forever. The tradition probably originated from China where the love locks can be seen at several locations alongside the Great Wall of China and also in many temples and on the steps/paths leading to sacred peaks. Locks of love… Connected to each other for all eternity…
Matthias Haker’s ‘Decay’ series chooses to focus on the rare beauty of decrepit spaces. The German born photographer is a media computer science student who began taking pictures in 2008. He has since developed an expansive portfolio with images of landscapes, weddings, people, urban activity and architecture.
Peeling, rusted ceilings and chipped floors laden with sawdust prove to be quite alluring. The abandoned scenes were once occupied by families, health practices and students, evidenced by the moldy cribs and dental chairs.
While the rooms have long since been used, they have still managed to retain their charm. The Decay project proves that there is relevancy in even the most neglected of buildings, seen here in the magnificent colors, winding staircases, record players and collectible vintage furniture.
While these dilapidated spaces bring on a sense of melancholy in the viewer, Haker’s pictures have also brought out their haunting beauty—despite the peeling paint and debris-strewn floors, the former grandeur of these buildings remains very evident.
Many of these abandoned sites feature magnificent details like beautifully painted walls, ornate stairways and embellished domed ceilings—it makes one wonder why they were forsaken in the first place.
I come from the breathtakingly beautiful capital of a country full of potential, natural and built splendor. Budapest is the city that is deeply embedded in my chromosomes and imprinted on my soul for all eternity.
This time lapse by Peter Dancso clearly shows that my problem with Hungary in general has never been and will never be of geographic or topographic origin, but rather the unfortunate coexistence of certain circumstances in this otherwise spectacular country…
Christmas is that magic blanket that wraps itself about us, that something so intangible that it is like a fragrance. It may weave a spell of nostalgia. Christmas may be a day of feasting, or of prayer, but always it will be a day of remembrance – a day in which we think of everything we have ever loved. – Augusta E. Rundel
Ammamma is everyone’s grandmother – the oldest living female member of the family. Just look at her face, those wonderful wrinkles of time, age, and wisdom…
I took this photo last May at a pooja (a religious ritual performed by Hindus) in Edathua, Kerala, India last May. My husband is Indian and his family is from Kerala in the south of India. The pooja was held for all members of the family who passed away and to purify the living of the lingering negative energy of the deceased.
Ammamma is an amazing woman. Three years ago, when we got married in Kerala (with almost 400 people at our wedding—more about this in a later post :), she accepted me in the family with and open heart, no questions asked and without any reservations. This was not an obvious thing for every single member of the family as my flaws as an ideal bride were only multiplied by the fact that not only am I not South Indian, but I am neither North Indian, or Indian for that matter…
She is 87 years old. Look at her eyes, her hair, her face, her hands. Think of all the things she has seen and lived through. We don’t speak the same language, we do not have the same religion, we do not have the same background, I am almost 60 years her junior, and I want to hear everything she knows and has to say.
Upon his return from a 3-month excursion filming in China with a bullet time rig, photographer Richard Kendall decided it was time to get back into the studio and start experiments with lights, strobe flash, and the bullet time rig. One of these projects was creating a collection of stunning artistic light paintings. The result is this breathtaking video below.
In still photography, bullet time is achieved by surrounding the subject with multiple cameras that are mounted on a special ring shaped rig (often referred to as an array). The camera are then set to fire either simultaneously or sequentially. Each of the photographs are then made into a time lapse so they create a super slow motion scene. Kendall used a half circle rig for his photo shoot, which required the use of 96 DSLR cameras!!!!!!!
In the second video Patrick Rochon / Timecode Lab / Eric Paré have created “24×360” as a purely artistic and experimental project using 24 cameras and light painting techniques.
The project was born after a very intense year mounting and un-mounting their bullet time rig in live events. They then finally sat down at their studio to create some inspiring 360 degree bullet time pictures.
Hope you like them as much as I did!!! This is pretty stunning stuff.
“A Cinemagraph is an image that contains within itself a living moment that allows a glimpse of time to be experienced and preserved endlessly.” Jamie Beck and Kevin Burg
Visual Graphics Artist Kevin Burg began experimenting with the .gif format in this style in 2009 but it wasn’t until he partnered with photographer Jamie Beck to cover NYFW (New York Fashion Week) that Cinemagraphs were born. Marrying original content photography with the desire to communicate more to the viewer birthed the cinemagraph process. Starting in-camera, the artists take a traditional photograph and combine a living moment into the image through the isolated animation of multiple frames. These living moments captured in a still shot are more than photographs but not quite videos.
Beck and Burg named the process “Cinemagraphs” for their cinematic quality while maintaining at its soul the principles of traditional photography. Launched virally through social media platforms Twitter and Tumblr, both the style of imagery and terminology has become a class of its own. The creative duo are looking forward to exploring future display technologies for gallery settings as well as pushing this new art form and communication process as the best way to capture a moment in time or create a true living portrait in our digital age while embracing our need to communicate visually and share instantly.
One of Beck and Burg’s first subjects was Canadian supermodel Coco Rocha. As in so many of their images, here also NYC is the stunning backdrop.
These evoke memories of pin-up girls from the 1940s and 1950s.
Beck and Burg’s love and passion for this complex, crazy, restless, wonderful city is palpable in the following few images. It is a place always on the move, with daily little miracles happening around you.
NYFW would not be what it is without Anna Wintour, the English-born Editor-in-Chief of American Vogue, who has become and institution throughout the fashion world.
Just look at the reflection of her dangling leg in the mirror… Purely amazing… 🙂
It’s somewhere between a photo and a video, a piece of artwork that seeks to perfectly capture a fleeting moment in time. Just like this one. A few seconds of motionless passing time captured for eternity.
“I was shooting a building to make a cinemagraph one day, and nothing moved. I thought, well this is dumb, but then the light changed, a bird flew by, and I realized that everything is alive. I just had to start training my eye. I had to start visualizing cinemagraphs.” Jamie Beck
And the last one for today. To be honest, although I have an infinite passion for photography, sometimes I feel something is missing. You capture the moment, but it is merely a snapshot of the moment that often fails to reflect the whole experience and meaning of that moment. A video would be too invasive and could ruin “the moment”. A cinemagraph is the perfect combination of the two. It raises the ordinary to extraordinary in the split of a second. Oh my… I can almost smell the sea, feel the wind in my hair, and the sun on my skin.
Have a wonderful evening,